Davywhizz
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Post by Davywhizz on Jan 19, 2020 2:38:46 GMT -5
I've been using some speaker cable which looks like AWG16 but I can't be sure as I was given it years ago as leftovers on a reel by a colleague. He was converting an old stone barn as his house and having it professionally hard-wired for sound.
My speaker runs are about 33 and 24 feet (6 ohm speakers) so I'm thinking of upgrading to AWG14 and making sure the new cable is pure copper rather than a mix.
The prices of dedicated hifi cable vary massively and I suspect there's a point where common sense becomes snake oil. What say you? I can get German oxygen-free copper cable in the right gauge for not much.
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Post by Chris Greene on Jan 19, 2020 11:39:17 GMT -5
Check out Monoprice assuming they ship to the UK. Otherwise, check your local online shops and consider even going up one more to 12 g. I use 14 or 12 for everything. Pure copper., absolutely. I use bare ends or banana plugs. The latter also from Monoprice. Parts Express is another good online supplier of decent speaker wire.
The above said, your German wire sounds like it will do the trick.
I am VERY skeptical of most cables and wires that cost more than $2-5 a foot. Look at Blue Jeans if you want to see quality but reasonably priced interconnects and speaker wire.
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Post by NoSoapRadio on Jan 19, 2020 13:05:52 GMT -5
Here's what I know for a fact: my main system, as much as I like it, is not capable of the resolution necessary to hear any difference (if any) between entry level purpose made speaker cables. I use Kimber 4PR (which is *very* entry level by "audiophile" standards) in my main system and I have some cheapies from Amazon on my downstairs system. When the cheap set came in the mail, I swapped them for the Kimbers just for S&Gs. I didn't hear any difference. Granted this wasn't an A/B comparison and I probably didn't want to hear a difference, but there you go. What I do think has value are proper, professionally installed terminations. I prefer bananas. Bare, untinned, wire is not a good idea in my experience as they are difficult to secure. These are the cheap cables that I have:
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Post by Chris Greene on Jan 19, 2020 13:58:13 GMT -5
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Davywhizz
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"Still Alive and Well"
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Post by Davywhizz on Jan 19, 2020 14:33:12 GMT -5
Thanks both. There is a Monoprice UK, but they only seem to want to sell me 500 feet lengths of cable. Kimber 4PR costs £11.40 per metre here, which seems a lot for my cable runs (nearly 20 metres total). I ordered some banana plugs, which arrived today - so far the bare wire ends are threaded through the posts. I'll check out some more cable options, but the German oxygen-free copper looks promising. There are also a couple of audio companies, Cambridge Audio and QED, offering the same sort of specs.
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Post by Chris Greene on Jan 19, 2020 14:46:41 GMT -5
Just get the German stuff and banana plugs. You'll be fine.
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Post by insanecooker on Jan 20, 2020 7:36:39 GMT -5
Unless I’m looking for specific electrical parameters*, I use good quality cable made well. Bananas for sure, never bare wire. Ideally you should also get plugs that match the metal composition of your terminals (both speaker and amp).
*my amps require a specific inductance at their outputs that is a perfect match for their own brand’s speaker cable. You could argue this us a money-grabbing ploy, but considering that the electrical reality is what it is, I purchased them. I also use their interconnects because they are well-made and not insanely expensive. They have a more expensive line of cables now that I don’t have any interest in trying out.
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Post by Peegoo 🏁 on Jan 20, 2020 18:05:38 GMT -5
Avoid all the audiophile smoke and mirrors and go to Home Depot or Lowes and look in the bulk wire ('by the foot' on spools) section. Get some 14-ga 100% copper two-conductor stranded flex.
Gold plated connectors and "oxygen free copper" are pure BS and do nothing to make your music sound better. It's a scam.
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Post by Riff Twang on Jan 20, 2020 23:42:39 GMT -5
Avoid all the audiophile smoke and mirrors and go to Home Depot or Lowes and look in the bulk wire ('by the foot' on spools) section. Get some 14-ga 100% copper two-conductor stranded flex. Gold plated connectors and "oxygen free copper" are pure BS and do nothing to make your music sound better. It's a scam.
For what it's worth, I couldn't agree more.
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Post by Chris Greene on Jan 21, 2020 0:50:51 GMT -5
There's another idiotic debate about speaker wire on an audio forum I frequent. People switched their inexpensive speaker wire to high priced speaker cables and the differences were astounding! One guy claimed he'd set up a system for a friend and recommended expensive wire which the guy said no to. Then he goes on to say that the guy says how he'd never been steered wrong by the installer so go ahead. And not 10 minutes after putting in the expensive wire, the guy's wife comes home and immediately goes on about how great the system suddenly sounds.
Yeah, right.
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Post by jazzguy on Jan 21, 2020 1:46:18 GMT -5
I've had Monster Cable for 30 yrs, someone gave me spool back then. I'm pretty sure I wouldn't have bought it on my own. Really have no idea if it's good or bad, never had anything else hooked up!
A pretty well know amp builder who sells his own guitar cables tried to talk me into some $300 jive arse cable that was oxygen free, blah blah. My $50 Klotz cables are just fine thank you
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Davywhizz
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Post by Davywhizz on Jan 21, 2020 2:39:30 GMT -5
I've ordered 20 metres (65 feet) of copper (being careful to check it's not something else, such as aluminium, coated in copper), German- made cable rated at 12AWG. Cost is only £30. It happens to be listed as oxygen-free (OFC), but this is clearly not bumping the price and no claims are made sound-wise. A bit of quick research of the science suggests that OFC only means there's less oxygen (I'm no chemist, but "oxide" might be more accurate?) rather than none, so conductivity might be very slightly improved.
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Post by NoSoapRadio on Jan 21, 2020 17:40:07 GMT -5
"Avoid all the audiophile smoke and mirrors"
Yep -- 97% of a room full of climate scientists agree that anything an audiofool says is hooey. Disregard the fact that gold is inert and can't react with any other metal or is more resistant to oxidation than any other metal. Gold plated connectors can't possibly have any beneficial effect in audio interconnects.
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Post by Chris Greene on Jan 21, 2020 19:08:59 GMT -5
Did anyone say that??
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jeffscott
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Post by jeffscott on Jan 21, 2020 19:37:01 GMT -5
* my amps require a specific inductance at their outputs that is a perfect match for their own brand’s speaker cable. You could argue this us a money-grabbing ploy, but considering that the electrical reality is what it is, I purchased them. I also use their interconnects because they are well-made and not insanely expensive. They have a more expensive line of cables now that I don’t have any interest in trying out. Good thing they weren't "insane expensive", although they most likely were way more than you needed to pay. Basically, you got suckered by the marketing BS of your amp company.
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Davywhizz
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Post by Davywhizz on Jan 22, 2020 5:34:26 GMT -5
For many years I thought a huge amount of nonsense was talked about guitars and guitar amps and accessories, including a fair amount of misleading marketing. Having ventured into the hifi world more recently I see that, in comparison, the musical instrument industry is a model of common sense and integrity.
The problem, of course, is that you can't win an argument with an "audiophile": in the end their ears are far better than most humans can comprehend, so they will be able to hear things you can't. Whether this is true or not, it's a manufacturing and marketing dream.
I started this thread trying to determine where the hype takes over in relation to speaker cable. The consensus seems to be that it's quite low in the food chain. This is as far as I've got:
I looked at the advice from the makers of my new speakers. They have what seems like a useful guide to the thickness of cable (in AWG) recommended for different cable lengths and speaker impedances. Then I thought it seemed logical to have cable made of a good conductor, copper, and for it to be reasonably pure and certainly not another metal "copper coated". I decided on banana plugs on the ends, mostly for convenience, but also so binding posts wouldn't need to be checked for tightness. I did choose gold plated terminals, as I've gone for gold pin guitar amp valves/tubes in the past, simply to reduce the options for oxydisation or reactions between different metals. I don't expect to hear any difference (but I would if a connection went bad).
I made up and laid my new cables last night and found the 12AWG reassuringly thick, but still flexible. It's a close fit into the barrels of the banana plugs so should give a good connection. Unfortunately one of the plugs arrived with one binding screw missing so I haven't been able to finish the job and listen to anything yet, but another pack is arriving today...
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Post by LTB on Jan 22, 2020 22:38:45 GMT -5
Avoid all the audiophile smoke and mirrors and go to Home Depot or Lowes and look in the bulk wire ('by the foot' on spools) section. Get some 14-ga 100% copper two-conductor stranded flex. Gold plated connectors and "oxygen free copper" are pure BS and do nothing to make your music sound better. It's a scam.
For what it's worth, I couldn't agree more.
Yep! Pure BS. Silver is a better conductor than gold however many use Gold plated connectors solely for their properties to corrode less. Corrosion is a big issue with electronics signal passage. The only thing I use gold plated connectors for is video. For low level Audio silver is fine at least for me. On speakers regular copper conductors are what I use. For High Fi speaker wiring 18, 16 are good enough for typical runs. Runs longer than 50-100 ft you might use 14awg. For Bass speakers I personally use no smaller than 14awg but typically use 12 or 10 awg as I hear a little lower bass with the 12 or 10 awg. (yes in a quiet room LOL)
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Post by insanecooker on Jan 24, 2020 6:03:26 GMT -5
Basically, you got suckered by the marketing BS of your amp company. Thanks for your kind words. As an EE I can actually tell whether they do need that inductance to perform stably or not (since they do not have a Zobel network) and it’s somewhat hard to find cable that provides that. The other option I found at the time was marginally less expensive. Another thing is that the amps do sound great, so I just gauged the package for its total price considering it is a functional requirement. Lastly, I could at any time sell the amps at a price higher than I paid for them. But no, you must be right, I just got suckered by marketing BS as I’m not as smart as you.
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jeffscott
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Post by jeffscott on Jan 25, 2020 0:10:39 GMT -5
But no, you must be right, I just got suckered by marketing BS as I’m not as smart as you. Yeah, I guess I am. Don't take it so seriously, really. A great many manufacturers say to only use their own labeled products with their own other labeled products to avoid "potential" damage, incompatibility, etc. Very common in the photographic equipment world, for one example of where this is perennially fousted on people.
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jeffscott
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Post by jeffscott on Jan 25, 2020 0:11:43 GMT -5
Like, Nikon saying to only their brand flash units on their cameras. Much BS to it.
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Post by insanecooker on Jan 25, 2020 6:12:16 GMT -5
In this case you can actually measure it. Inductance is an electrical parameter (though incredibly hard to find it published for most cables). If you don’t cancel out the reactive part of speaker impedance on the output of the amp it may enter oscillation with certain speaker loads, so in this case you use the cable to compensate for it.
The choice to not put a Zobel network on the output is a design choice they argue is based on sound. You can claim that it’s just a decision to extract more money, but it still creates a functional requirement, unlike your camera example. You could try to find compatible cable and it would work fine, but it’s actually hard to find it.
However, my objection wasn’t to the point that you may call all of the above “marketing BS” (which may or may not be the case, even if it has real consequences in this case) but rather that you don’t know my decision process, the prices paid or anything like that to make a comment on that part (“suckered” is the objectionable bit).
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jeffscott
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Post by jeffscott on Jan 26, 2020 20:18:37 GMT -5
I am just glad I've bought well engineered/designed gear that doesn't require any sort of compensation at the back end of it.
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Post by Leftee on Jan 26, 2020 20:33:53 GMT -5
Let’s be nice, gents. 😊
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Davywhizz
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Post by Davywhizz on Jan 27, 2020 8:47:48 GMT -5
Perhaps it will distract them if I finish the story? I left it at the point where I was about to finish setting up a modest cable upgrade to thicker (12AWG) copper (pretty sure the old stuff was coated and too thin for the length of cable versus speaker impedance) and using banana plugs not bare wire.
I should say at this point I've spent a lot of time recently using a list of tracks that one UK hifi manufacturer recommends for testing speakers. I used them first to decide I needed better speakers, then to admire the wisdom of that decision. So it's a very familiar set of songs and I know how my system handles them.
I started the new cable test while facing the speakers, as you would, using a remote to adjust volume by ear. It took a while to realise I'd settled on a lower volume range (28 on the Marantz amp, max is 60) than before (always 30-32). So, I'm fairly certain I got a thicker signal with the new cable. Secondly, my impression was of a little more bass. That was reinforced as I felt the need to turn down the sub from about 33% to maybe 25%. It had already been reduced thanks to the new speakers.
Whilst there's no science to any of this, I was surprised, as I hadn't expected to notice any change at all. Would I notice more difference if I'd spent a lot more on cable and had a higher spec hifi? Maybe. Am I inclined to try? Not really. Just my honest experience, for what it's worth.
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Post by Peegoo 🏁 on Jan 27, 2020 9:46:50 GMT -5
If I offended you by stating "it's a scam," I apologize; I should have said "I think it's a scam," because in this business (just like with guitar amplificator technology) facts get mixed with marketing and finding the actual truth is not easy because people hear things differently. Listening to music is a very personal thing; I subscribe to the 'trust your own ears' maxim. This is not I'm-right-and-you're-wrong.
Absolutely one can measure differences in conductivity and induction of materials using test equipment. But I don't listen to music with test equipment. For me the point of diminishing returns is fast exceeded when I'm expected to pay a premium price for something that can be measured on a scope but makes a small improvement in sound once it gets to the speakers, travels through the air, and hits my tin ears.
Does twice the price make the music sound twice as good? Not for me. I think it's a lot of unnecessary cannonball polishing.
Your ears may vary.
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Post by NoSoapRadio on Jan 27, 2020 12:59:51 GMT -5
"Your ears may vary."
Cheers Peegoo.
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Post by Peegoo 🏁 on Jan 28, 2020 13:21:04 GMT -5
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