Building a pedal board for a dual blues jr rig

The pedal you want last in the chain should have a stereo L/R out, such as a delay/reverb pedal or a Leslie-style rotary thing like the Ventilator II.

That will maximize the sonic utility of playing through two amps.

Unless, of course, you're stacking one amp atop the other.

I may be explaining wrong as to the order of the pedals so, in order to get on the same page, I'll just say that at present, the only pedal I have connected to this amp arrangement is the DD 500 which is a delay pedal (in stereo) with many types of delays and other fx built in. All other pedals would come after or through the DD 500 and then, to the amps. How I arrange those in the chain will be a work in progress. Since I'll be getting the Big Muff Classic this week, I will put that right after the DD 500.

As it is, I am using a sort of template to design this board as I have a 'stair stepper' step with a surface area almost the exact size I want for the pedal board. I have a pedal board in mind like the one linked that will probably fit the bill. The others mentioned in this thread are interesting and thanks for stepping up with those selections but, I'm looking to build one that's smaller than the last one I built and I keep coming back to the one linked with nothing extra attached to it like a power supply which I mentioned earlier, is on order. When I have the 'set up' figured out, I'll spring for a pedal board but, that depends on what other pedals I want as part of this project. I'm fairly certain the addition of the OC3 will be a natural fit in this process. A switchboard might be something to think about as well to connect all the pedals for easy...switching.

www.sweetwater.com/store/detail/PTCL2SC--pedaltrain-classic-2-sc-24-inch-by-12.5-inch-pedalboard-with-soft-case

Thanks. I think that pedal board may fit the bill at present. I've looked at some switchboards and they are not cheap so, if I do add one, it'll be the last thing I get so I'll have enough connections to satisfy the pedal selections. They are not cheap. 

I have brought out my Boss ME 70 and set it up with the two blues jr's to get more ideas for pedal selection. I can tell right away that a uni-vibe pedal is in my future. I've been doing some research for ideas as well looking at pedal boards done up to mimic some of the artist I've chosen for this venture. I'm happy to see that some of the selections they suggest I have or is ordered so, it would seem I have a good start for this custom rig. 

Here's the beginning of my build. The surface area I'm using is the size of the board I want to use for this so, I have plenty of room to add more pedals going forward. The current configuration in the pic seems to work fairly well. When I add more pedals, I'll probably start off by connecting the next one after the OC3, pushing the tube screamer and the Big Muff down the line. The TS and Big Muff seem to work well being together as seen. The Big Muff by itself, has a tendency to push the volume loud when used but, the TS has the ability to knock that loudness down when it's used with the Big Muff so, they'll remain together as seen no matter where the are in the chain for now. The next pedal I get for this project will probably be a uni-vibe. Either a MXR or a JHS Unicorn. It's looking like the pedal board I have in mind for this is going to be good enough as it looks like this configuration has plenty of room for future pedals. 

The Uni-vibe in the Boss ME-70 is very good.  Even though I didn't use it often, it was my favorite effect on that pedal, and what I miss the most about it.
A very good Univibe is the Fulltone MDV or MDV-2.  Great Univibe sound and the speed is adjustable on the MDV-2 by rocking the foot pedal.  The MDV-2 is about the size of the average wah pedal.  According to Fulltone, the sound in these two is identical, so it just depends if you need easily adjustable speed control.  They're not that easy to find any more though.

One of the things I've been trying to do is to connect this Captor X to both amps to be able to Attenuate both and be able to use the amps full potential at low volume levels. So far, I haven't been able  to accomplish this but, I'll keep trying. It would have been nice to have a Captor X designed to accommodate two amps and in the future, maybe that will happen. But, my main reason for this post was to point out that the Captor X doesn't need to be plugged in to use the attenuator portion of this unit as the switch, on its own, works to attenuate. If this is known by you then, you can welcome me to planet earth as it was as bit of a surprise to me that it would function this way. Just wanted to provide some discovery while I continue to build this rig. 

That's not gonna fit in that case!

Thought I'd provide a little perspective