Heard this melody for the first time in a while today and came home, made up an arrangement and spent a little time in the studio. It's not perfect since I came up with it today but it's fun to just sit down and record something at a whim every one in a while versus the painstaking process of trying-to-make-every-single-sound-perfect that plagues music recording/production.
NICE chord melody! Nice playing and dynamics. Is that a Seagull S6?
Every time I hear this tune, I cannot suppress my inner 10-year-old and I think, "London Derriere."
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Good eye, the pic is an S6 (my first guitar from way back when) but the guitar played on the recording is a Yamaha AC3R. I wanted to try putting a direct line in the mix since I record most stuff with a D18 without a pickup. I split a stereo recording of the mic and the line-in then duplicated the mic recording, panned L-R with different EQ for stereo effect, then put the direct line in the middle. It adds a *little* but honestly I was pretty impressed at how much better the mic actually sounds than the guitar pickup. The Yami is supposed to have fairly good electronics but the sound quality is nowhere near a LDC mic..
Onboard electronics are really best suited to onstage playing, but when recording in a studio, mics realistically capture the 'air' in an acoustic guitar's tone. You can also record the onboard pickup's signal as well, and mix it in as you see fit. Another cool way to record an acoustic is a close condenser, and a large diaphragm condenser on the middle of the room to capture the room sound. Mix them together and it sounds really 'live' coming from the speakers.
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Another cool way to record an acoustic is a close condenser, and a large diaphragm condenser on the middle of the room to capture the room sound. Mix them together and it sounds really 'live' coming from the speakers.
Will have to try that. I have an old low-end AKG small diaphragm condenser and have tried various stereo techniques using it and my Rode NT1 LDC but no matter how I try to nail down the distances between the mics and sound source, at mastering levels always run into phase issues and end up going back, splitting the stereo file and just using the Rode mic since it just seems to "cut" better. If I did more solo acoustic stuff I'd probably invest in a Rode M5 matched-pair and use x-y miking which is probably what I'm looking for with this recording but the single LDC works ok.
The acoustic guitar is surprisingly difficult to record well which is part of the fun I guess.
K well this is awkward, I guess proboards doesn't let you edit posts after a certain time? I made a minor edit to the piece and deleted the former soundcloud link and was going to edit the OP to the new link but now I can't edit the OP and the original link is gone for ever sooo.. updated link below..
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Was curious as an audio nerd how a mahogany b/s guitar would sound under the same conditions as the rosewood b/s Yamaha and tried another take with my D18.
I used the same mic position, seating position, mic settings, etc and copied the effects (eq and reverb) to each respective track (L, R, center) to try to keep the production aspects equal. The main difference being on the Yamaha recording the center track is the line-in and on the Martin recording it's just the same mono recording in the center minus a few db to level match the db of the Yamaha line in. The only thing I changed in the master was the ceiling and threshold on the limiter to make both tracks 14 LUFS and -0.5db TP. The main other variable other than concert v dreadnought is that the Martin's strings are about 4 months older than the Yamis (elixer 12s).
Was actually surprised how easy it is to tell the difference between the guitars. The Martin has a more woody tone with a pronounced mid-range and the Yamaha has a richer tone with pronounced highs and lows (verified on EQ), which are the classic descriptions of mahogany v rosewood.
Not sure what any of this proves but I feel like I need an OM-28...