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Post by larryguitar54 on Dec 16, 2020 0:00:14 GMT -5
My 4 piece has an upcoming 3 hour Christmas show. The venue holds maybe 50 people but it's hard to say with Covid how many will actually show. I have been rehearsing with the DRRI thinking that's the perfect amp for this venue. Yesterday it fritzed on me and obviously needs a visit to the amp doctor.
So I am seriously thinking of bringing my 'big rig' TRRI and large pedal board. The stage can handle it. I will keep the volume at about 2.5. I think that amp at low volume beats every other amp in my collection.
Stay tuned.
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Post by jazzguy on Dec 16, 2020 17:59:54 GMT -5
I've been using a blackface Twin for 20 yrs in any venue, never an issue of enough headroom and the theory that they don't sound as good unless dimed is bs. I even use one @ home.
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Post by modbus on Dec 16, 2020 22:01:40 GMT -5
Twin Reverb? You can cozy right up to them.
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Post by larryguitar54 on Dec 19, 2020 1:02:42 GMT -5
As a follow up...I went with the Pro Reverb. The volume was somewhere about 2.5 and it worked just fine.
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Post by LTB on Dec 20, 2020 3:17:47 GMT -5
As a follow up...I went with the Pro Reverb. The volume was somewhere about 2.5 and it worked just fine. Love the Pro Reverb! Great Amp. If I could only afford one
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Post by cedarchoper58 on Dec 20, 2020 18:42:36 GMT -5
been using the 1/2 twin BF pro reverb now for decades as my go to amp love it,
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twangmeister
Wholenote
Posts: 349
Formerly Known As: Twangmeister
Age: 72 and fading fast.....
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Post by twangmeister on Dec 26, 2020 20:29:11 GMT -5
When I started gigging around 1970 I used my Twin Reverb for all my gigs. Most gigs were 2 to 2.5, rarely did I run it as high as 4.
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Post by cedarchoper58 on Dec 27, 2020 17:26:03 GMT -5
I have to Attenuate my BF Pro Reverb on clubs now and its only 40 watts no way a twin would fly. I do rum my amp up on 7 in the tone zone
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Post by bluzcat on Dec 30, 2020 9:33:33 GMT -5
Twin Reverb? You can cozy right up to them. COMPARISON WILL PROVE FENDER’S SUPERIORITY! YOU WILL BE ASSIMILATED!
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Post by larryguitar54 on Dec 30, 2020 17:59:16 GMT -5
I have no problem with a Twin at 2.5 in a small club. It's about enough to climb over un-miced drums and mix with the PA vocal. The issue is portability. I ended up taking my Pro Reverb for the simple reason that I had just reconfigured my pedalboard also and had practiced with it for a week before with a new pedalboard and had dialed in the tone. I didn't have enough time to really explore the Twin/Pedalboard combo.
But I found the Pro Reverb to be a heavy sucker. It's an original '66 vintage back in the day when it was actual wood cabinets which means it weighed the same as my modern day Reissue Twin.
Also I tested out the Pro Reverb and the Twin in stereo by running both out of the Boss DD7. Honestly I could not tell the huge difference in overall volume or tone.
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Bbendfender
Wholenote
Mostly play Fender guitars and amps. I'm 71 and have had a guitar since 1964. Got serious in 1975.
Posts: 216
Age: 71
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Post by Bbendfender on Jan 12, 2021 11:03:38 GMT -5
I've been playing in bands since 1975. After all the years, I would say a Twin and a Tele would play about any gig you want to play.
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Post by cedarchoper58 on Jan 28, 2021 16:36:47 GMT -5
i wonder if you can pull two tubes like on a marshall cutting the power in half
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Post by thumbpicker on Feb 5, 2021 19:39:29 GMT -5
i wonder if you can pull two tubes like on a marshall cutting the power in half I've been guilty of this as well. It does get a little quieter but not all that much and I believe you have to change some speaker wiring around to get the ohm rating where you want it to run that way. I did the deed once or twice but didn't really see much advantage.
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Post by pcalu on Feb 26, 2021 18:00:16 GMT -5
Like Jazz Master been serious using a vintage Twin for years. I just tote around with a luggage carrier. It's not my only amp, but it's definitely one of my go to "GETTER DONE AMPS"
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