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Post by ninworks on Jan 31, 2021 9:10:10 GMT -5
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Post by Auf Kiltre on Jan 31, 2021 12:07:03 GMT -5
Thanks, I'll look it over just out of curiosity.
My home studio limitations are as such that I record everything 24/44.1. I've done an occasional 24/48 with diminished returns. I believe I tried 24/96 once and had problems running some of my plugins. Again, with my modest front end (interface and mics) I don't see the higher bit/sample rates providing me much more fidelity.
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Post by FlyonNylon on Jan 31, 2021 17:46:40 GMT -5
cool document thanks for posting! Good summery of some of the stuff I've pieced together randomly. The naming conventions are certainly helpful if you're working commercially.
I also use 24/44.1 almost all the time. The limits of my home-studio (room acoustics, budget prosumer gear) are such that addressing them would make a bigger difference than recording at a higher sample rate, but it is what it is.
I have the most fun part-writing and tracking so try to keep my "artist" hat on as much as possible and streamline the mix/master/production aspect because it's easy to get super OCD about that sort of thing. The trick seems to be if you record everything perfectly on the front end, hi-res music just kind of comes together on its own, which is kind of the unachievable moving target that keeps things interesting..
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