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Post by pcalu on Sept 26, 2022 19:06:14 GMT -5
half opened/(my spell check won't let me type co@ked) Wah through a slap back echo into something clean with a little splash of reverb
I started doing this looking to proximate early Miles Davis' tone Example Relax'in with the Miles Davis Quintet (1956)
He used Horn mutes extensively. (love is early stuff) Now it's a staple of my sound, I play with guitar's volume and tone knobs (on a telecaster) to get the "pulling the mute away from the horn" vibe. I'm big into vintage tones (or sounding vintage as possible) and this sits right in the pocket of old school bebop, old school jazz. On the neck pup, it's almost like your playing an arch top going for that wooly thing.
Give it a try if your into playing Jazz... IMO sounds great in a mix with traditional Jazz instruments Horns, pianos, upright base etc
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Post by Riff Twang on Sept 26, 2022 23:57:29 GMT -5
I enjoy using that sort of tone, but for me I like it with a reasonable amount of drive and sustain to get some grit and wail into my honk.
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DrKev
Wholenote
It's just a guitar, it's not rocket science.
Posts: 418
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Post by DrKev on Sept 27, 2022 6:20:06 GMT -5
I find I can get close to that tone using a small tone capacitor. The usual is 0.047µF, I prefer 0.022µF for both the taper of the tone pot but also for the larger resonant peak with the tone pot all the way off. Especially on a strat in the bridge middle position, it's quite pronounced. With a smaller cap, the peak gets larger and shifts a little higher.
(Fender's "greasebucket" tone circuit is really just a fancy way of eliminating that resonant peak while avoiding the all the way down tone being too dark.)
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Post by markfromhawaii on Sept 27, 2022 6:28:18 GMT -5
When I think of old school wah tone resembling the horn mute style I go back to John McLaughlin’s “Are You the One? Are You the One?”
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Post by Leftee on Sept 27, 2022 17:57:43 GMT -5
I find I can get close to that tone using a small tone capacitor. The usual is 0.047µF, I prefer 0.022µF for both the taper of the tone pot but also for the larger resonant peak with the tone pot all the way off. Especially on a strat in the bridge middle position, it's quite pronounced. With a smaller cap, the peak gets larger and shifts a little higher. (Fender's "greasebucket" tone circuit is really just a fancy way of eliminating that resonant peak while avoiding the all the way down tone being too dark.) I like .015 with a lot of Tele pickups for this same effect.
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